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1958 : Eurovision's first big hit..
 | THE BACKGROUND |
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By 1958 the contest had already established itself as a successful annual event and had begun to attract a following throughout the continent. The one thing that the competition had not achieved was to produce a major international hit, and given the contest's remit was to select the best popular song of the year, that was
quite a disappointment. However the third Eurovision Song Contest was about to change that and in a most spectacular way.
For the 1958 contest, a new arrangement was put in place, that the previous year's winner had the honour of staging the event. This was something of a dubious honour, given that until relatively recently the host broadcaster had to pay most of the cost of staging the show, however with some notable exceptions, this
arrangement has continued until today.
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Following the victory of "Net Als Toen" in 1957, the Dutch broadcasting network NTS took responsibility for hosting the event and the venue they chose may not have been an obvious choice to anyone living outside of the Netherlands. The rural town of Hilversum, is twenty miles south-east of Amsterdam and it is
surrounded woodland, meadows, lakes, and smaller villages. To this day it remains one of the smallest towns to host the competition. The reason why Hilversum was chosen to stage the contest, is that is is that it is locally known as "Media City" and is the traditional centre of Dutch radio and television. Indeed those with old style radios will
tell you that Hilversum was a familiar name on the dial. Today the area has a population of just over 80,000, but back in 1958 over 100,000 lived in Hilversum, thanks not only to broadcasting, but also because the town was a thriving agricultural centre.
The venue chosen for the 1958 Eurovision Song Contest, was the AVRO-Studio (above), a typically modern if rather anonymous building, which is still in use today. By current standards the venue, a television studio, was very small, and the layout of the stage was quite similar to the previous year's contest, using a
staircase to introduce the performers.
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For the the third year in a row, a different evening was chosen for the event, and following a Sunday in 1956, and a Thursday in 1957, the 1958 show was staged on Wednesday March 12th.
All seven original countries that participated in the first Eurovision Song Contest in 1956, returned once again and they were joined by Austria and Denmark, which had enjoyed very mixed fortunes with debut entries in 1957. The one country that didn't return was the United Kingdom. Following a disappointing result a
year earlier, the BBC decided to give the 1958 competition a miss. However following the U.K.'s withdrawal, Sweden decided to enter the contest for the first time and once again ten countries competed in the competition.
Seven countries held national selections to choose their Eurovision songs and once again Italy sent the winner of the popular San Remo festival as its entry. 1958 was also the first (and so far the only) occasion where two former winners of the contest came back to compete with 1956 winner Lys Assia returning
for Switzerland and 1957 winner Corry Brokken returning for the Netherlands. While betting on the contest as we know it today was unknown back in 1958, the Italian song "Nel blu dipinto di blu" co-written and sung by Domenico
Modugno, which was already topping the local chart and beginning to attract
attention beyond Italy's borders was widely mentioned as the one to watch, in advance of the show.
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 | THE SHOW |
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Date: Wednesday 12th March Host city, country: Hilversum, Netherlands Host broadcaster: NTS Venue: AVRO-Studio Duration: 1 hour, 15 minutes Presenter: Hannie
Lips Musical Director: Dolf van der Linden Orchestra: The Metropole Orchestra Interval Act: The Metropole Orchestra Award Presenter: J.V. Rengeling of NTS Voting: Each
country had ten jury members who each awarded a point to their favorite song. Participants: 10
New Participant: Sweden
Withdrawal : United Kingdom |
The staging of the 1958 contest is quite similar to that of the previous year's show. Adding a little bit of local Dutch flavour, the stage was also covered in flowers, which had a rather limited impact given that the show was broadcast in black and white. The floral theme was repeated in the dress of the presenter, the
deliciously named Hannie Lips (below). Hannie was apparently a well known local star and as well as being a successful television presenter, she was also a singer and an accordionist, talents the Eurovision viewers regrettably didn't get to see in 1958.
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Once again, evening dress is the order of the day for the singers, although the German and Swedish performers chose to spice up their entries with minor costume gimmicks. Just like 1957, following a very simple opening, each of the ten singers descended a staircase and immediately
started performing their entry. The performances of the songs had a slightly longer gap between them than the previous year, which may have helped them register better with the international juries. Another reason that the 1958 contest is slightly longer than the previous year's event is that there was a
short interval between the performances and the voting sequence. The Metropole Orchestra provided a little musical interlude which helped build up the tension, and helped establish the Eurovision interval, which has since gone on to become a significant feature of the event ever since.
While the show looks quite attractive on screen, the one thing which the 1958 contest is sadly lacking in is any sense of atmosphere. The small studio audience is one of the most subdued in the competition's history and it's impossible to judge which songs have been well received and which have not, although the welcome
for the home entry is clearly louder than the rest. Even the voting
sequence, which was far more exciting than the previous year, seems to fail to generate any major reaction, perhaps because of the failure of the home entry.
The other problem with the show, is a technical hitch which meant that the performance of the opening song from Italy was not seen in several countries and had to be repeated at the end of the running order. Overall the 1958 Eurovision Song Contest is an efficiently organised but has a rather dull presentation. However where it surpasses the previous contests is in the overall standard of the
songs, which is one of the highest in the early years of the competition.
While once again the 1958 contest may not have reflected the music that dominated the charts of the time, it certainly had more variety that the previous year's contest and several of the songs remain popular to this day.
The opening song, and pre-contest favourite was the Italian entry "Nel blu dipinto di blu" (Blue painted in blue) performed and co-written by Domenico Modugno. Despite clocking in at four minutes, the performance of the song was always dramatic, helped by Domenico's expressive hand movements. The song
which had won the San Remo festival a month earlier had gone on to be a huge hit in Italy. "Nel blu dipinto di blu" would become better known as "Volare" (Flying) and in the following year would become one of the biggest hits in Eurovision Song Contest history, hitting the charts all over Europe and reaching number one
in the American Top 100. In 2005 television viewers all over Europe would select it as the second greatest Eurovision song of all time (beaten by ABBA's "Waterloo"), in the special "Congratulations" show. You can read more about "Volare" here.
The second song to be performed in 1958 was the host entry, and the Dutch decided to repeat the same formula that had brought them success a year earlier. For the third year in a row, and twelve months after giving the Netherlands its first Eurovision win, Corry Brokken returned. Her song "Heel de wereld"
(The whole world) was however a pale imitation of her 1957 winner and despite wearing a very similar outfit and giving another fine performance, it was clear that this would not be another Dutch winner.
The French entry "Dors Mon Amour" (Sleep My Love) sung by Andre Claveau, was a typically French romantic ballad and the arrangement which included an extended introduction, combined with Claveau's relaxed style and warm voice would make it a serious contender. The Luxembourg entry which followed was in
a similar style, but without a strong melody the rather dated song only helped make the French entry sound ever better.
Sweden's Eurovision debut was memorable in two respects, singer Alice Babs chose to ignore the evening wear dress code in favour of a traditional Swedish folk costume and the opening of the song introduced Eurovision to a trend that would be popular throughout the competition's history; conquering the problem
of singing in an unfamiliar language by using the universal "la-la-la" for the first 30 seconds of the performance. The song "Lilla stjärna" was however very sweet and was very charmingly performed.
Scandinavian neighbours Denmark followed, but the despite a nice gimmick of enacting the title "Jeg rev et blad ud af min dagbog" (I tore a page out of my diary), little else about the song was especially memorable. Belgian pin-up Fud Leclerc had competed in the first contest in 1956 and returned with a
very different style of song two years later. The jazz flavoured "Ma Petite Chatte" (My little sweetie) was one of the best performances of the evening.
Not for the last time, the German entry relied heavily on gimmicks for much of its appeal. The lyrics of the song were completely changed from the studio version to allow singer Margot Hielscher to dress up as "Miss Germany", complete with beauty pageant style tiara and sash to perform "Für zwei Groschen Musik"
(Twopenny Music). However that wasn't the only gimmick; Margot had brought three 7" singles on stage with her, to empasise the lyrics which mentioned three musical styles (jazz, folk and opera). The performance was certainly memorable, and the song quite catchy, but it was perhaps a little too different for the international juries.
Neighbours Austria tried something a little more traditional with Liane Auguestine's more conventional performance of "Die ganze Welt braucht Liebe" (The whole World needs love) a song which owed more than a little to the first two Eurovision winners, both in terms of style and performance. For the
second year in a row Switzerland had the final song in competitionand for the third year in a row Lys Assia performed the Swiss entry. The song "Giorgio" was in a very different style from her previous efforts. Sung mainly in Italian "Giorgio" is a charmingly jaunty tale of a weekend by lake Maggiore where
Lys and her partner dined on risotto and polenta and refused expresso coffee in favour of wine. Assia's performance of the song was charming and enthusiastic and to this day many people feel that this is the best of her Eurovision entries.
 | THE VOTING |
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Following the second performance of the Italian entry, for technical reasons, and a very brief interval, it was down to the voting sequence. Once again countries voted in reverse order to the performance order, something which was apparently done to speed the show, as the first country to vote could not give points
to the last song to be performed, they could complete their votes in time to be called in. The voting method was the same as used in 1957 with each country having ten jury members, each awarding one vote to their favourite song.
The voting in 1958 can best be described as quite erratic with large swings in the order caused by some juries having very strong favourites. Sweden's debut entry took an early lead, but when Austria awarded 7 of its 10 votes to France, the French entry jumped into pole position. After four juries had voted, France
and Italy were tied, but when the Danish jury sensationally gave 9 of its 10 points to France, it was obvious that the French song "Dors Mon Amour", was the one to beat. The Italian entry drifted backwards in the second half of the voting as Switzerland staged a late run.
With only one jury left to vote, the result was delicately poised. France had 21points, just one ahead of Switzerland. The last vote was from Italy, and given the Italian flavour of the Swiss entry, many might have thought that it would be Switzerland that would triumph once again. However ignoring every other
country, Italy awarded 6 points to France and just four to the Swiss, giving the French their first Eurovision victory.
Without a doubt the biggest disappointment of the night was the home entry from the Netherlands, with 1957 winner Corry Brokken scoring only a single point and sharing last place with Luxembourg.
Below you can find a table with the votes as they appeared after each country voted.
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Colourbox : |
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 | THE WINNER |
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Song Title: "Dors Mon Amour" (Sleep my love) Music Composed by: Hubert Giraud Lyrics written by: Pierre Delanoë Performer: André Claveau |
"Dors Mon Amour" was chosen by regional juries as the French Eurovision entry in a national final staged in February 1958, although very little is known about that final. André Claveau was a very well known singer and film star before his Eurovision Song Contest victory.
André was born in Paris on December 15th 1915. having originally trained as an operatic singer, he initially perused a career as a graphic designer specializing in jewelry design. His career in popular music began in 1936 where he won a talent show organised by a Parisian radio station. For the next six years
André entered a series of music festivals, achieving several top prizes. Finally in 1942 he is spotted by successful impresario Marc Duthyl who become his manager. Despite the war, over the next few years André's musical career goes from strength to strength. |
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In 1947 he made his film debut,
starring in "Le Destin s'amuse" and over the next decade as his local popularity grew, he would go on to star in several other films, sometimes playing himself, meanwhile continuing to have string of hit records in the French speaking market.
Today André is best remembered for the songs "Marjolaine" (Marjoram), "Domino" as well as the French hit recordings of the songs "Cherry Pink And Apple Blossom White" and the universally popular "Happy Birthday". André was one one of France's biggest stars of the 1950s and so
it was no surprise when he represented the country at the 1958 Eurovision Song Contest, where he brought the French their first Eurovision victory. "Dors Mon Amour" went on to be a big hit in France and in the French speaking countries, but unusually for a Eurovision winner, it was not recorded in any other language and
failed to make any significant impact beyond the Francophone territories. In terms of international chart success, "Dors Mon Amour" was comprehensively overshadowed by the
Italian entry, which finished 3rd in Hilversum.
During the 1960s André's velvet voice remained quite popular on French radio, but his film career came to an end in 1960. He retired at the end of the 1960s and was rarely seen again. He passed away on July 4th 2003.
The composer of "Dors Mon Amour" was Pierre Delanoë born in Paris in 1918, under the name of Pierre Leroyer. Pierre originally studied economics and became a tax inspector in pre-war France. After the war, he and formed a long-lasting musical partnership with the famous French musician, songwriter
and singer Gilbert Becaud. As well as co-writing serveral of Becaud's hits, Delanoë wrote hits for other famous stars of the era like Edith Piaf, Tino Rossi and Hughes Aufrey. In 1959 his song "The Day That The Rains Came" reached #1 in the U.K. chart, when covered by Jane Morgan.
"Dors Mon Amour" was the first of six Eurovision entries with lyrics composed by Pierre Delanoë. In 1961 he co-wrote the Monegasque entry "Allons, Allons Les Enfants" (10th). In 1963 Nana Mouskouri performed "A force a prier" for Switzerland (8th). Returning for his native France in
1967, "Il doit faire beau là-bas" finished 3rd. In 1973 a youthful Patrick Juvet finished 12th for Switzerland singing "Je vais me marier, Marie". In 1975 "Et Bonjour a toi l'artist" finished 4th for France and finally in 1980 he teamed with those other serial Eurovision songwriters Ralph Siegel and Bernd
Meinunger for the Luxembourg entry "Le Papa Penguin" finishing 9th. Pierre Delanoë wrote Eurovision entries for four countries placing him in a unique position. However this was not his last involvement in the contest, as in 1982 he wrote the French lyrics for the winning German entry; "Ein bißchen Frieden".
Delanoë as wrote songs for several French films but today he is possibly best remembered as the man who wrote the lyrics for L'ete Indien" a massive 1975 hit for Joe Dassin, a song which is considered one of the greatest French songs of all time.
The composer of "Dors Mon Amour" is Hubert Giraud born in 1920 in Marseille. Having lost his father at just five years old Giraud was advised to take up a wind instrument as a cure for asthma, by his family doctor. Hubert so successfully took up the harmonica that he started playing with local bands
and ended up playing the famous Hot Club de France with the renowned bandleader and jazz musician Django Reinhardt. In 1941 takes up the guitar and flees the Nazi invasion of France in favour of South America where he plays with the famous Ray Ventura orchestra. The latin rhythms which he discovers on that continent would
have a lasting impact on his music.
Returning to France, Giraud turns to composing and in 1950 is rewarded with the first of a string of hits. Over the next thirty year Giraud's compositions will sell millions of copies and provide hits for singers such as Edith Piaf, Yves Montand, Sacha Distel, Jacquline Boyer, Claude Francois, France Gall, Nicole
Croisille and most especially the famous French singer Dalida for whom he writes several big hits including the famous "Gipsies". Giraud also wrote the score to several French films in the 1950s and 60s.
Like his co-songwriter Pierre Delanoë, Hubert Giraud went on to write several other Eurovision entries. In 1959 he composed the French entry "Oui, oui,oui,oui, oui" finishing 3rd and in 1960 he finished 3rd with Monaco's song "Ce soir-là". In 1961 Giraud and Delanoë teamed up for Monaco (10th)
and for France in 1967 (3rd). In 1971 Giraud composed "Pomm, pomme, pomme" for Luxembourg (13th) and Giraud made his final appearance as a composer in 1979 when Anne-Marie David sung "Je suis l'enfant-soleil" into 3rd place for France. With one winning song and four others which finished in the Top 3, Giraud has one
of the most successful track records in the history of the Eurovision Song Contest. Giraud was also involved at the beginning of the career of another Eurovision winner when in 1982 he composed the winning song ""Tellement J'ai D'amour Pour Toi" sung by Celine Dion at 1982 Yamaha Festival in Tokyo.
The conductor of "Dors Mon Amour" in Hilversum was the famous French band-leader Franck Pourcel, who conducted a total of 23 Eurovision entries between 1956 and 1972.
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