All Kinds Of Everything
The Irish Eurovision Website
 

 
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IRELAND

Song : "They Can't Stop The Spring" 
Performers : Dervish
Music & lyrics : John Waters & Tommy Moran

Running Order : #4 in the final


THIS YEAR'S ENTRY

Ireland is Eurovision's most successful country, with a record seven victories in the contest. However things have not gone as well in recent years, as it's now over ten years since Ireland last claimed victory and only one Irish entry since 2001 has finished in the Top 10. That success came in Athens in 2006, meaning that Ireland has automatically qualified for this year's final.

Irish broadcaster RTÉ decided to repeat the same formula as 2006 in choosing this year's entry, with one act performing a selection of potential Eurovision entries and the public voting for its favourite. In November 2006, RTÉ announced that the act that would represent Ireland in Helsinki would be the six piece Sligo based traditional music group Dervish. While the band are very well known on the folk and traditional music circuit, their selection as Ireland's 2007 entrants surprised the vast majority of Ireland's Eurovision fans.

For the next two months songwriters from all over Europe submitted potential Eurovision songs to RTÉ and on February 16th Dervish performed four songs on a "Late Late Show - Eurosong 2007" special. The song which was chosen by the public was "They Can't Stop The Spring" written and composed by Irish Times writer John Waters and his longtime songwriting partner Tommy Moran.

In 1989 by a group of five musicians Liam Kelly, Shane Mitchell, Martin Mc Ginley, Brian Mc Donagh and Michael Holmes came together to record an album of local music which was released as "The Boys of Sligo". Inspired by the project they decided to develop this informal gathering into a working band under the name Dervish which was chosen as it related to any group of spiritual people who become enraptured by music. Over the following two years Dervish honed their craft as a formative band and in 1991, Roscommon born singer Cathy Jordan and all Ireland champion fiddle player Shane Mc Aleer joined the band giving them the right balance to produce the first Dervish album Harmony Hill which was released in 1992.

The impact of that album soon became apparent, winning widespread critical acclaim and the album was described by many as “a landmark Irish traditional album”. Substantial TV and radio exposure for the band and the album began to open all kind of doors. Dervish soon became one of the most sought after acts on the live music circuit worldwide and have continued to remain so over the years. This demand led to the band touring continuously throughout 1993 and performing at all the major folk festivals. The following year their keenly awaited second album was released. “Playing with Fire” was released and began the band's worldwide travels to satisfy the demand created by both albums. The album reached number 1 in the Irish Folk Music Charts and World/Roots music charts internationally and stayed on top for several months.

With their reputation firmly established, Dervish now set their sights on the American market, signing a deal with the New York-based Kells Music. The release of their two albums in the USA saw the demand for the band take off in dramatic terms. Performances at highly regarded festivals projected Dervish into a new sphere of operation on a worldwide scale.  Dervish received nominations and awards in a variety of traditional/folk music polls including two in the IRMAs in Ireland. In 1996 Dervish released “At the End of the Day", which firmly established the band as a major force in world music, winning them the Hot Press Folk Album of the Year Award. In the same year the band performed a series of shows in Hong Kong and Malaysia which opened the door to the Far Eastern market.

Since then Dervish have been a ground breaking force within Irish music bringing the roots of Ireland's traditional and folk music to almost all continents. The band's live concerts are highly regarded and in 1997 "Live in Palma" brought the live sound to CD. This double album has been hailed by critics as one of the best live traditional recordings of our time. The same year the readers of Irish Music Magazine awarded Dervish Best Overall Trad/Folk Band of the Year. 

1998 was another grueling year for the group. It started with a six-week coast to coast sell out tour of the USA and a first ever-Irish tour which enjoyed considerable success. That year also saw slight reshuffle of the group with Shane McAleer taking a career break, replaced by Séamus O¹Dowd a talented fiddler and guitarist. Just before the end of the year, the addition of fiddle player Leitrim man Tom Morrow and another All Ireland Champion completed the present line up of the band. Also in 1999 the new look Dervish took to the studio, bringing with it a bigger sound prompted by the seven-piece line up Cathy Jordan (vocals, bodhrán, bones), Tom Morrow (fiddle, viola), Shane Mitchell accordion), Liam Kelly (flute, low whistle), Séamus O¹Dowd (guitars, harmonica), Michael Holmes (bouzouki) and Brian Mc Donagh (mandola, mandolin). Again it looked as if Dervish could do no wrong with the resulting album “Midsummer¹s Night” being voted Irish Trad Album of the Year by many publications.

To celebrate ten years together, Dervish released “Decade” in March 2001. “Decade” is a compilation of some of the finest tracks from their five highly acclaimed albums of Irish traditional music recorded over the last ten years. Around this period great innovation was happening in the Dervish rehearsal room and on stage which led to the release of “Spirit”. This was without doubt an album that gave a new focus to the arrangement and production of the band's sound. In this year Dervish had their proudest moment to date when Sligo City Council bestowed the "Freedom of The Borough of Sligo". This award was for their international artistic achievements and their dedication and promotion of their local heritage.

Eurovision isn't the first time that Dervish has represented Ireland. In 2006 Irish Prime Minister Bertie Ahern invited Dervish to accompany government ministers on the countries biggest ever trade mission which was to China. Later that same year the band released an album from their rapidly expanding back catalog. "A Healing Heart" featured slower material recorded over the years.

Since being selected to represent Ireland at Eurovision Dervish have been recording their latest album, due out in May and another American tour. Whether its the lack of European promotion or the rather unusual (for Eurovision) style of their entry, "They Can't Stop The Spring" has been rated among the "also rans" with bookmakers and hasn't set internet polls alight.

Songwriter Tommy Moran was born in Co Roscommon. From an early age he played a number of instruments, including guitar, piano, accordian and tin whistle. He played for several years with a number of groups and showbands. He subsequently worked as an electronic engineer but continued to play and write music. In 2000 and 2001, he won the Glinsk Song Contest with songs co-written with his father-in-law, J.J. Flanelly. He was shortlisted for Eurovision on one previous occasion.

Co-songwriter John Waters was also born in Co Roscommon. As a teenager he began writing songs with his neighbour Tommy Moran. He subsequently became a journalist, author and playwright. His first book, "Jiving At The Crossroads" (1991), about the cultural underbelly of Irish politics, was a bestseller. His other publications include "Race of Angels" (1994) a study of the roots of U2's music in Irish history and culture. His most recent book is "The Politburo Has Decided That You Are Unwell" (2004). His award-winning plays include "Long Black Coat" (1994) and "Easter Dues" (1997). He currently writes a weekly column for The Irish Times.

John Waters has explained his involvement in Eurovision. "When we heard that Dervish were going to represent Ireland in Eurovision we decided to write a song combining an Irish flavour and a European theme, one that addressed the changing nature of both Ireland and Europe". "They Can't Stop the Spring is a kind of Celtic celebration of the eastern European revolutions and their eventual outcome, including the presence in Ireland of thousands of new Irish from Czech, Slovakian and Latvia." 

 

 

 

BROADCASTER

       MEDIA CENTRE

  Audio 
Live performance
Preview video 
                           LAUNCH PAD
  1. Irish television's website
  2. Dervish's fansite
  3. The song's lyrics (from Diggiloo.net)
  4. Information on the Irish final
  5. Irish fansite
  6. OGAE Ireland
 WEBMASTER RATING :
 AKOE VISITOR RATING :
 BEST BETTING ODDS : 66/1
 METHOD OF SELECTION : The Irish entry was chosen by the public in a four song national final on February 16th.

WEBMASTER REVIEW : While I had heard of Dervish before  they were unveiled as Ireland's Eurovision entrants, I actually hadn't heard any of the band's music, as I'm not really a fan of Irish folk or traditional music. I found the four songs in the Irish final quite pleasant, but none is the kind of music I would rush out and buy, veering a little too much towards "middle of the road" for my taste. So how will it do at Eurovision? Certainly the draw hasn't helped and i fear that in a show full of gimmicks and more memorable songs, the Irish entry is unlikely to be remembered, but if we were were to take a chance on something different then this is the perfect year to do it, being automatic finalists and knowing that most probably this year's result isn't going to impact our qualification for 2008.      ____________________________________

YOUR REVIEWS

"The Irish entry this year is very strong indeed, I rather suspect this song could well make the top 5, and quite possibly hit the top spot, its been a while since RTE have hosted the contest and I rather suspect we could be seeing Eurovision from Dublin in 2008. Great song, very unique and original. The winner?." - Clint Bembridge (UK)
"One of the small handful of songs with a bit of sensitivity, beautifully interpreted , with a story and nice lyrics behind and with an instrumentalisation that should cause the envy of all the rest of songs. There is something missing in the song, but maybe is a winner." - Juan-Antonio Fernandez (Spain)
"I usually love Irish songs in the Eurovision but this is Cranberries gone wrong. Like the Donna & Joe number a better set out performance will improve their place, but finishing in the top half would be amazing." -Andrew Hordern (Australia)
"The worst entry ever! They really scraped the barrel with this, and name-dropping European cities ain't gonna help." - Mark Watson (UK)
"The song could have been a winner; anthem, inspriing, easy to remember. But the studio version is actually weaker than the live performance and I fear that unless Dervish come off the road very soon and put several solid weeks into learning how to perform on TV, this will do badly. Work it into the total package and it could win. But Cathy wouldja ever give Mary Spiteri (Malta, 1992) her dress back?" -John Egan (Canada)
"Yes, that`s a nice entry. A silent ballad with a celtic touch good performed by a experienced singer : and even a message ;). Obviously a try to bring back the good old times from the 90s, when Ireland has been the true and only home of the Eurovision. So it surely would have done very well in times of the old juries. Its of course more difficult to say if the televoters will really like it, or if they are going for the loud stuff and the big performance. Really hard to say, maybe a Kennedy like result for Ireland could be possible."-Paul Hutter (Germany)
"You can't stop the spring thank goodness. Like a breath of fresh air reviving this entire contest. Horrible draw position though." -David Berlinger (Israel)
"I was iffy about the original live performance, but I love the new studio remix. If she sounds like this, and not harsh like her original performance, this will get Ireland another top 10; definitely the strongest of the cheezy songs this year."- Sean Casey (USA)
"Yes Yes Yes finally i like an Irish entry from this century . What a lovely simplistic voice , a fine song with a fine message" - Mark Wood (UK)
"I would have preferred something a little more lively and with a more obvious Celtic influence than this rather pedestrial, if worthy effort. I can see why people think that this is guaranteed to be in the bottom places, but I wouldn't be so pesimistic" -Ian Carson (Ireland)
"First of all Ireland would deserve a good placing due to the fact for sending something traditional but I fear the time of those songs is over. I like the song but doubt that it will impress Europe. Sorry, Ireland." -Thorsten Beckmann (Germany)
"I liked the early version better than the studio. Why did you cut the big music intro? It is now a simply nice song. Change something fast!" -Athan (Greece)
"It did nothing for me on the eurosong, but the preview video bowled me over. I just hope they can re-create that magic live. Just one question, who are THEY? It's really bugging me!" -Gerry Smith (Ireland)
"Well well. What a pity about the draw here. Sertab won from this position a few years ago but this is no "Any Way That I Can". Having said that, it is a song with a great hook and superb traditional music running through it. It will get the crowd going in Helsinki and this band are renowned for their fantastic live performances all over the world. I really think this song will get a lot of votes on the night and I would bet that it will definitely go top 10 if not top 5." - Jimmy Kempson (Ireland)
"Lets hug a child for Ireland, preferably a refugee one. What a twee video. Sometimes the draw can be cruel to some countries. In the case of Ireland this year, it’s a mortal blow from which I cannot see us recovering. Sertab needed the combined might of many belly-dancers to cope with the effects of 4th in the draw. We have bodhrán drums and tin-whistles. That said, it’s so different from almost everything else this year that it should stand out a bit. The musical break is nice too. However I don’t see it being our year though." - Dermot Manning (Ireland)
"Selecting Dervish, was going to be a gamble, but I am glad that they were chosen. Despite not being 'traditional Eurovision' this song is a lovely one. Despite not being my cup of tea, I feel this peice will compete fairly well in Eurovision. Its different, and that will attract several votes. I cannot see it winning, and I think it will struggle for the top ten, however as long as it is performed with the same vigour and excitment, it should do well. Top 20, I predict." - Peter Corwall (UK)
"Quite a good song, will be in the top 10." -Diamuid Murphy (Ireland)

 

SAMPLE LYRICS

 
The curtain has been raised
And Europe's all one stage
And the archipelagic icicles
Have melted like the cage

 

 

  IRELAND @ EUROVISION
First entry: 1965
Number of previous entries: 40
Best result: Winners : 7 times  (1970, 1980, 1987, 1992, 1993, 1994, 1996)
Worst result: 3rd last (2004), failed to qualify (2005).
Most votes given to: Denmark : avg 7.1
Most votes received from: U.K. : avg. 8.2